Review of Amour Fou (2014) by Mike D'angelo for The Dissolve — 18 Mar 2015
Hausner’s previous feature, Lourdes, was sometimes frustratingly opaque, but at least it had a discernible pulse. Here, she seems more interested in period décor and symmetrical compositions than in Kleist, Vogel, or any of the ideas they espouse and/or embody.
Her impressive formalism is hollow.
You can read the full review where it was originally posted online.
This review of Amour Fou (2014) was written by Mike D'angelo and published by The Dissolve on 18 Mar 2015.
Amour Fou has generally received positive reviews.
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