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Review of by Robert Craft for The New York Review of Books — 17 Jun 2018

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The unkindest cuts of all are inflicted on the music. It bleeds at every splice, welling up, fading out, left suspended in mid-phrase.

You can read the full review where it was originally posted online.

This review of Amadeus (1984) was written by and published by The New York Review of Books on 17 Jun 2018.

Amadeus has generally received very positive reviews.

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