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Last updated: 12 Jun 2026 at 17:32 UTC

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Review of by Ethan Vestby for The Film Stage — 16 Sep 2016

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Highlighted by the black-and-white, The Woman Who Left is as nocturnal as the best noir, one of those films in which every transition from nighttime to daytime registers as a shock.

You can read the full review where it was originally posted online.

This review of The Woman Who Left (2016) was written by and published by The Film Stage on 16 Sep 2016.

The Woman Who Left has generally received positive reviews.

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