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Last updated: 10 Jun 2026 at 21:27 UTC

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Review of by K. Austin Collins for Vanity Fair — 13 Jun 2019

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The displacement Jimmie feels pervades most every shot of Talbot’s film and gives it all a slow-churning aura of foreignness and melancholy, a diasporic sadness that’s interesting to see in the context of a film about an African American, rather than a recent immigrant.

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This review of The Last Black Man in San Francisco (2019) was written by and published by Vanity Fair on 13 Jun 2019.

The Last Black Man in San Francisco has generally received positive reviews.

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