Review of The B-Side: Elsa Dorfman's Portrait Photography (2017) by Robert Abele for Los Angeles Times — 28 Jun 2017
This is the rare Morris movie that feels led by the personality of its star figure, in this case Dorfman’s wry positivity and love of what she does, rather than his need to probe.
You can read the full review where it was originally posted online.
This review of The B-Side: Elsa Dorfman's Portrait Photography (2017) was written by Robert Abele and published by Los Angeles Times on 28 Jun 2017.
The B-Side: Elsa Dorfman's Portrait Photography has generally received positive reviews.
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