Review of Smithereens (1982) by Emanuel Levy for EmanuelLevy.Com — 08 Feb 2007
Susan Seidelman's feature debut, the first American indie to be shown at the Cannes Film Festival, put New York's East Village sensibility onscreen by examining issues of identity, desire and self-fulfillment from a distinctly female perspective.
You can read the full review where it was originally posted online.
This review of Smithereens (1982) was written by Emanuel Levy and published by EmanuelLevy.Com on 08 Feb 2007.
Smithereens has generally received positive reviews.
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