Review of Salomé (2013) by Glenn Kenny for The New York Times — 28 Mar 2018
The concentration of the performers and the power of Wilde’s unusually baroque, even for him, language (he originally composed the play in French, as it happens) makes for some mesmerizing scenes.
You can read the full review where it was originally posted online.
This review of Salomé (2013) was written by Glenn Kenny and published by The New York Times on 28 Mar 2018.
Salomé has generally received positive reviews.
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