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Last updated: 06 Jun 2026 at 01:27 UTC

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Review of by Alexa Dalby for Dog and Wolf — 02 Nov 2018

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Doillon's film opens with Auguste Rodin working on his sculptural interpretation of Dante's The Gates of Hell. It is all too tempting to see this as a metaphor for the film as a whole.

You can read the full review where it was originally posted online.

This review of Rodin (2017) was written by and published by Dog and Wolf on 02 Nov 2018.

Rodin has generally received negative reviews.

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