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Review of by Jeannette Catsoulis for New York Times — 09 Feb 2012

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Much better to focus on the tempestuous Mercutio (Hale Appleman, a standout), whose increasing volatility forms the perfect counterpoint to Mr. Doyle's beaming Juliet and Seth Numrich's sensitive Romeo.

Punctuated by eerily static shots of empty basketball courts and deserted hallways, Mercutio's blustering menace is as timeless as the romance he seeks to derail.

You can read the full review where it was originally posted online.

This review of Private Romeo (2011) was written by and published by New York Times on 09 Feb 2012.

Private Romeo has generally received mixed reviews.

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