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Last updated: 05 Jun 2026 at 07:35 UTC

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Review of by Susan Wloszczyna for RogerEbert.com — 17 Feb 2017

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Director and co-writer So Yong Kim achieves a delicate, naturalistic tone both visually (many scenic outdoor settings involving rain, bodies of water or both) and melodically (a mostly soothing heart-fluttery soundtrack) that is underlined by handheld camera close-ups.

You can read the full review where it was originally posted online.

This review of Lovesong (2017) was written by and published by RogerEbert.com on 17 Feb 2017.

Lovesong has generally received positive reviews.

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