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Review of by Tomris Laffly for RogerEbert.com — 23 May 2019

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Compared to the inherent compactness of “Dior and I” that crystallizes Dior’s collective craft and process under its new creative director Raf Simons, Halston is vast, and therefore, less of a thrill to watch than the real-life “Project Runway” challenge thrown at Simons.

But it will be no less breathtaking for fashion enthusiasts, and anyone dwelling in the tricky intersection of art, history and commerce.

You can read the full review where it was originally posted online.

This review of Halston (2019) was written by and published by RogerEbert.com on 23 May 2019.

Halston has generally received positive reviews.

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