Review of Gwen (2018) by Simran Hans for The Observer (UK) — 26 Jul 2019
As a genre exercise, the film starts promisingly enough, contrasting claustrophobic, dimly lit interiors with atmospheric wides of the landscape composed like moody paintings. Worthington-Cox is compelling, by turns twitchy, tentative, stoic and bold.
Still, something isn’t clicking.
You can read the full review where it was originally posted online.
This review of Gwen (2018) was written by Simran Hans and published by The Observer (UK) on 26 Jul 2019.
Gwen has generally received mixed reviews.
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