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Last updated: 10 Jun 2026 at 11:36 UTC

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Review of by Dan C — 13 Aug 2008

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Godard's works tend to get better on repeated viewings - this one for example has so many layers to it that you'll find something new every time. It's equally a nod to Godard's 60's successes (a Pierrot Le Fou style heist story), reflection on art, cinema vs.

video industry and economics as well as a study of man/female relationships. There's the tragic Merimee/Bizet love story, a Beethoven score and finally Godard himself. Bleaker and sleazier than his early work, this is a confusing yet strangely beautiful film.

This review of First Name: Carmen (1983) was written by on 13 Aug 2008.

First Name: Carmen has generally received positive reviews.

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