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Last updated: 09 Jun 2026 at 14:44 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 29 Mar 2019

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The opening of Diane is simple but packed, like the movie: The more mundane the details, the more redolent it is of time going by too fast. Someone I know called it the most depressing film she’d ever seen.

I found it one of the most exhilarating, but I admit that the exhilaration is hard-won and slightly perverse.

You can read the full review where it was originally posted online.

This review of Diane (2019) was written by and published by New York Magazine (Vulture) on 29 Mar 2019.

Diane has generally received positive reviews.

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