Review of Bokeh (2017) by Tasha Robinson for The Verge — 22 Mar 2017
There’s a lot of fantasy in the usual end-of-the-world scenarios, but there’s a lot of horror there as well. Bokeh asks which of those reactions is more appropriate, and how they both play out. It’s a gentle story, as apocalypses go, but even without monsters, it becomes a painful, emotional question of strength and survival.
You can read the full review where it was originally posted online.
This review of Bokeh (2017) was written by Tasha Robinson and published by The Verge on 22 Mar 2017.
Bokeh has generally received mixed reviews.
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