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Last updated: 05 Jun 2026 at 22:38 UTC

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Review of by Susan Wloszczyna for RogerEbert.com — 23 Jun 2018

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As the director, co-writer, editor and composer of ominous piano tinkling heard on the soundtrack, Jason Saltiel is nothing but ambitious when it comes to this semi-successful creepy thriller that, intentionally or not, pushes the #MeToo buttons perhaps a little too hard.

You can read the full review where it was originally posted online.

This review of Beach House (2017) was written by and published by RogerEbert.com on 23 Jun 2018.

Beach House has generally received mixed reviews.

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