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Last updated: 04 Jun 2026 at 20:32 UTC

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Review of by Richard Roeper for Chicago Sun-Times — 03 May 2018

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I can’t tell you I bought every last twist and turn in the final act, but thanks to Niccol’s creative direction and the offbeat but effective chemistry between Owen’s emotionally damaged Sal and Seyfried’s is-she-hero-or-villain mystery woman, Anon kept me in its grips throughout.

You can read the full review where it was originally posted online.

This review of Anon (2018) was written by and published by Chicago Sun-Times on 03 May 2018.

Anon has generally received mixed reviews.

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