Review of Wichita (1955) by Richard Brody for New Yorker — 25 Mar 2013
Daniel Ullman's script turns backroom political dealings into high drama; Tourneur's poised and lyrical direction elevates it to a sort of secular scripture.
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This review of Wichita (1955) was written by Richard Brody and published by New Yorker on 25 Mar 2013.
Wichita has generally received positive reviews.
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