Review of The Villainess (2017) by Maggie Lee for Variety — 21 Aug 2017
Channeling “La femme Nikita,” “Kill Bill,” Nikkatsu’s ’70s female exploitation films and a gazillion Hong Kong martial arts heroines, The Villainess nonetheless succeeds in being one-of-a-kind for its delirious action choreography and overall narrative dementia.
You can read the full review where it was originally posted online.
This review of The Villainess (2017) was written by Maggie Lee and published by Variety on 21 Aug 2017.
The Villainess has generally received positive reviews.
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