Review of The Salesman (2016) by Anthony Lane for The New Yorker — 23 Jan 2017
What follows, in the final half hour of the movie, is an astounding chamber piece, worthy of Strindberg, with the husband, the wife, and her aggressor stuck in a dance of doubt and death. With every shot, our sympathies flicker and tilt.
You can read the full review where it was originally posted online.
This review of The Salesman (2016) was written by Anthony Lane and published by The New Yorker on 23 Jan 2017.
The Salesman has generally received very positive reviews.
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