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Last updated: 10 Jun 2026 at 23:57 UTC

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Review of by Wesley Morris for San Francisco Examiner — 03 Mar 2016

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The absence of substance, or its banishment, and the director's reliance on allure (in the film's casting and in its look and sound, which features haunting music by Beethoven and Chopin), leave Innocence with the quasi-profound, giggly overreach of a magazine layout come to shameless, shallow life.

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This review of The Loss of Sexual Innocence (1999) was written by and published by San Francisco Examiner on 03 Mar 2016.

The Loss of Sexual Innocence has generally received mixed reviews.

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