Review of The Loss of Sexual Innocence (1999) by Wesley Morris for San Francisco Examiner — 03 Mar 2016
The absence of substance, or its banishment, and the director's reliance on allure (in the film's casting and in its look and sound, which features haunting music by Beethoven and Chopin), leave Innocence with the quasi-profound, giggly overreach of a magazine layout come to shameless, shallow life.
You can read the full review where it was originally posted online.
This review of The Loss of Sexual Innocence (1999) was written by Wesley Morris and published by San Francisco Examiner on 03 Mar 2016.
The Loss of Sexual Innocence has generally received mixed reviews.
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