Review of The Forbidden Room (2015) by Ryan Gilbey for New Statesman — 10 Dec 2015
The tinted, corroded images ripple, pulsate and disintegrate. They burn up, then reconfigure as something else entirely. The surface of the movie is liquid; the actors seem to be drifting in an ocean of photographic developer fluid.
You can read the full review where it was originally posted online.
This review of The Forbidden Room (2015) was written by Ryan Gilbey and published by New Statesman on 10 Dec 2015.
The Forbidden Room has generally received positive reviews.
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