Review of The Black Power Mixtape 1967-1975 (2011) by A.o. Scott for The New York Times — 07 Sep 2011
The fact that the speakers' faces are never seen produces a feeling of estrangement that is crucial to the film's effectiveness. You become acutely aware of gaps and discontinuities: between slogans and realities, between political ideals and stubborn social problems, between then and now.
You can read the full review where it was originally posted online.
This review of The Black Power Mixtape 1967-1975 (2011) was written by A.o. Scott and published by The New York Times on 07 Sep 2011.
The Black Power Mixtape 1967-1975 has generally received positive reviews.
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