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Review of by Scott Tobias for The A.V. Club — 27 Sep 2010

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Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America, of gang rituals and territorial skirmishes, and of ordinary people taking dangerous routes to a better life that may be a mirage.

Next time, a few rewrites please.

You can read the full review where it was originally posted online.

This review of Sin Nombre (2009) was written by and published by The A.V. Club on 27 Sep 2010.

Sin Nombre has generally received very positive reviews.

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