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Last updated: 06 Jun 2026 at 18:21 UTC

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Review of by Guy Lodge for The Guardian — 27 May 2003

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So many mood pieces sustain their mood only as far as the closing credits; the blissful melancholy of Paris, Texas endures with recall and association, however distant from one’s last viewing. Cannes has rewarded many a great film, but none that is quite so permanently, ever-retrievably embedded in my sense memory.

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This review of Paris, Texas (1984) was written by and published by The Guardian on 27 May 2003.

Paris, Texas has generally received very positive reviews.

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