Review of Nocturama (2016) by Alex M — 30 Sep 2017

I really hate this movie, its slow and dosen`t have a real trama.

This review of Nocturama (2016) was written by Alex M on 30 Sep 2017.

Nocturama has generally received positive reviews.

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More Reviews of Nocturama

Review of Nocturama (2016)

By Dennis Schwartz (5,456) for Ozus' World Movie Reviews (5,456) on 15 Mar 2018

Inhabits the nihilistic and violent mood of the times…

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By Manuela Lazic (44) for Little White Lies (3,136) on 20 Oct 2016

Throughout the film, the teenagers never discuss the exact motivation behind their attacks. In fact, they barely talk at all…

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Review of Nocturama (2016)

By Tina Hassannia (118) for Movie Mezzanine (782) on 15 Sep 2016

Nocturama slowly but surely becomes a boldly explicit film that arouses the viewer's sympathies in these tragic, pathetic figures, with a shocking…

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By Anthony Lane (1,079) for New Yorker (1,403) on 13 Aug 2017

It is at once damnable and debonair. It seduces as it repels…

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By Seraphic W (83) on 26 Jun 2017

Nocturama is not only a gripping (and tense) drama/thriller but also a fascinating narrative exercise whose strength turns out to be its main…

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By David Ehrlich (1,229) for indieWire (3,631) on 20 Oct 2016

Nocturama is enthralling until the bitter end, but it's so hard to distill its purpose that you can't tell if the film is opaque or if it simply…

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By Harvey S. Karten (2,210) for Shockya.com (657) on 05 Aug 2017

Seemingly mindless domestic terrorism and a surprising response from the authorities…

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By Tomas Trussow (247) for The Lonely Film Critic (186) on 09 Nov 2018

A masterful study of political and commercial spaces intersecting to the point of personal crisis, Nocturama is one of the boldest creations…

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By Robert Koehler (477) for Sight and Sound (827) on 16 Dec 2016

Bonello stages bravura cinema choreography with a chilling confidence to match this circle of youth who may be some kind of ultimate realisation…

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Review of Nocturama (2016)

By Luke Channell (28) for HeyUGuys (1,461) on 18 Oct 2016

Although the lack of characterisation and context is initially off-putting, this is an altogether provocative, compelling piece of work with…

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