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Last updated: 10 Jun 2026 at 01:57 UTC

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Review of by A.a. Dowd for The A.V. Club — 02 Feb 2019

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The early stretch of the movie is its strongest, as Johnson lays out the bric-a-brac of Bigger’s life, which involves a good deal of code-switching, and carefully tweaks the novel’s key relationships, updating the condescension of his employer’s rich-kid daughter, Mary (Margaret Qualley), to a new era of white guilt and microaggressions.

You can read the full review where it was originally posted online.

This review of Native Son (2019) was written by and published by The A.V. Club on 02 Feb 2019.

Native Son has generally received mixed reviews.

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