Review of Michael Moore in TrumpLand (2016) by Richard Brody for New Yorker — 23 Oct 2016
Within the carnivalesque atmosphere and high-spirited revelry of Moore’s show, there’s a master of political rhetoric at work, and he devotes that mastery to a high patriotic calling. At its best, Michael Moore in TrumpLand is a moving act of devotion, a motivating turn of rhetoric of potentially historic import.
You can read the full review where it was originally posted online.
This review of Michael Moore in TrumpLand (2016) was written by Richard Brody and published by New Yorker on 23 Oct 2016.
Michael Moore in TrumpLand has generally received mixed reviews.
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