Review of Mamma Roma (1962) by Reece L — 17 Oct 2015
An honest reassessment of Rossellini's brand of neorealism, Mamma Roma updates this style of filmmaking through a focus on the true root of societal discord in the lives of the impoverished. While naming the central character "Mother Rome" may be a little on the nose, Pasolini's choice to have Anna Magnani embody the essence of the ideal Italian woman is inspired, Magnani portraying the hardworking mother willing to sacrifice everything for her son as she did in Rossellini's Rome, Open City.
Pasolini's Rome is much more pessimistic than that of the man he emulates, pointing to Italy's own faults instead of idealizing an Italian communal identity, adding an undercurrent of commentary to its homage.
This review of Mamma Roma (1962) was written by Reece L on 17 Oct 2015.
Mamma Roma has generally received very positive reviews.
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