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Last updated: 09 Jun 2026 at 19:10 UTC

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Review of by Roger Greenspun for The New York Times — 16 Jan 1977

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A brilliant, mercurial performance by Elliott Gould steadies and vivifies but cannot save Getting Straight. Even with such sideline brilliance as the sad-funny performance of young Robert F. Lyons almost matching Gould's, the picture ends as a cop-out of its own professed principles and initial honesty.

You can read the full review where it was originally posted online.

This review of Getting Straight (1970) was written by and published by The New York Times on 16 Jan 1977.

Getting Straight has generally received mixed reviews.

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