Flesh is strikingly redolent of its time: morally vacant, stylish, lightweight, daring, but also dreary. It represents everything people both love and hate about the 1960s.
You can read the full review where it was originally posted online.
This review of Flesh (1968) was written by Peter Aspden and published by Financial Times on 05 Oct 2018.
Flesh has generally received mixed reviews.
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