Review of Dumbo (2019) by Anthony Lane for The New Yorker — 31 Mar 2019
The best parts of the new film, by a long stretch, are the flying sequences, in which Dumbo wheels around inside the tent. Sometimes he even has a jockey, in the daring shape of Colette (Eva Green), the in-house trapeze artist.
Elsewhere, however, we are dragged through patches of glum and listless drama.
You can read the full review where it was originally posted online.
This review of Dumbo (2019) was written by Anthony Lane and published by The New Yorker on 31 Mar 2019.
Dumbo has generally received positive reviews.
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