Italian director Matteo Garrone's film offers up art-house-by-numbers neorealism with an angle of political-power allegory that quickly turns deterministic and tedious.
You can read the full review where it was originally posted online.
This review of Dogman (2018) was written by Sam C. Mac and published by Slant Magazine on 19 May 2018.
Dogman has generally received very positive reviews.
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