Review of Crazy Horse (2011) by David Denby for New Yorker — 24 Jan 2012
The French creators of the dance numbers take their work very seriously; they speak of it in terms that would have shamed George Balanchine. That they are sincere in their ideas, however, doesn't mean that they aren't provincial in their own way and long out of date; nor does it mean, to our astonishment, that their show isn't repetitive, solemn, and slightly boring.
You can read the full review where it was originally posted online.
This review of Crazy Horse (2011) was written by David Denby and published by New Yorker on 24 Jan 2012.
Crazy Horse has generally received positive reviews.
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