Review of Bokeh (2017) by Mike Mazzanti for The Film Stage — 22 Mar 2017
Because of this lack of dramatic momentum, the elements of Bokeh that do work best — the occasionally enrapturing cinematography, the dreamlike score, and the interesting-but-overused experiential editing — all wear thin halfway through.
You can read the full review where it was originally posted online.
This review of Bokeh (2017) was written by Mike Mazzanti and published by The Film Stage on 22 Mar 2017.
Bokeh has generally received mixed reviews.
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