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Last updated: 06 Jun 2026 at 04:38 UTC

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Review of by Richard Brody for New Yorker — 19 May 2013

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Vague conjurings of mood take the place of insight, sentiment takes the place of complexity, and a clumsy and superficial attention to the rigid script keeps the movie from coming to life.

You can read the full review where it was originally posted online.

This review of Augustine (2012) was written by and published by New Yorker on 19 May 2013.

Augustine has generally received mixed reviews.

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