Review of Apostasy (2017) by Ryan Gilbey for New Statesman — 24 Jul 2018
Apostasy is muted: hushed, still, almost colourless. But don't let that fool you. Its pain is all the more distressing for being muffled.
You can read the full review where it was originally posted online.
This review of Apostasy (2017) was written by Ryan Gilbey and published by New Statesman on 24 Jul 2018.
Apostasy has generally received very positive reviews.
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